I’m drawn to structures that seem to happen on their own.
Folds, creases, soft distortions—they follow no clear plan, yet they feel precise. There’s a kind of intelligence in how they form, a rhythm that isn’t made but found.

This work is grounded in a simple idea: to give up control and let form emerge.
The folds are not designed—they’re generated through a process I can influence, but not fully direct. I set parameters, then step back. What appears is unpredictable, but not arbitrary.

I see my role less as a creator, more as an observer and editor. I watch what takes shape, and decide what stays. It’s a curated coincidence—an invitation to look closely at structures that feel both accidental and precise.

What fascinates me is the moment when control gives way to emergence—when intention and accident meet.

The digital process allows me to observe rather than impose. I don’t design the wrinkles—I provoke them. It’s about seeing how form behaves when it escapes strict geometry.

These shapes are not about meaning. They are about looking—long enough to notice when something quiet becomes compelling.